Archive | December, 2014

Ian Nutt “More News from Nowhere”

24 Dec

I’m Ian. I live just outside Leicester, UK and work ‘factory hours’, doing things far less interesting than making photographs. That means that at this time of year, I see very little daylight, so I’ve had to learn how to shoot at night and in very low light. I’ve learnt the way that secrets can be revealed (and hidden) by artificial light sources and the way that man manipulates his environment with light. I’ve also begun to see how a photographer can show the effects of this light in different ways, to tell ones own story.

These pictures form part of my nascent ‘More News From Nowhere‘ set that combines my taste for robust concrete architecture, shooting at night and the new (new) topographic work that I’m enjoying thoroughly at the moment. People like Jeff Brouws, Patrick Joust and Will Steacy combine these elements so well in the US (maybe less so the concrete) and I’d love to somehow create a UK version of the feeling that their work leaves the viewer with.
I’ve recently found (through Flickr) a night photography ‘scene’ in Australia that provides a similar aesthetic. The three countries look fundamentally different of course, but the simultaneous feelings of nostalgia and danger in the photographs, as well as their presentation of the mundane and everyday to us out of context, for us to consider at our leisure, are all thing that I aspire to do.

There are several contributors to the Urban Photo Publishing group who I find inspirational. Their photographs have helped me to define what it is that I’m trying to do with the pictures I make, especially Barry Falk’s ( ‘pissed in corners’ description. Finding other people that see the attraction of these spaces (and aren’t just producing ‘Crap Towns’ and HDRed abandoned buildings) has been a revelation.

It may be contentious, but I currently find more inspiration in work I see on Flickr than in many of the celebrated, classic photobooks. It can take some time to wade through the nonsense, but the joy of finding a photostream like Andy’s (, Ben’s ( or Andrew’s ( (there are many others) for me is more satisfying than, for example, The Americans – there, I said it!

It feels like I’ve made huge progress over the last year, mostly thanks to the other people out there that I’m learning from on a daily basis – and I’m loving every minute!

“With a painting, you’re taking basic building blocks and making something that’s more complex than what you started with. It is a synthetic process. A photograph does the opposite: It takes the world, and puts an order on it, simplifies it.” – Stephen Shore


Francesca Pucci City Focus Nova Gorica, Slovenia.

7 Dec

In this project I chose to highlight the different colors, as these are the styles of this country. I tried not to isolate them from the rest, because I wanted it to be clearly visible the frame of the human aspect in this country: the nature. It is always present, in the form of reflection too. (photo 4) It is an element overshadowed in these photos, but important to represent this place.
The frontal and rigid shots, are softened by the lines of the trees, that are opposed to the straight lines and the colored blocks of the urbanism.

David Crausby – New World

1 Dec

New World

The idea for the project came to me in August 2013; standing on the balcony of my hotel at Jumeirah Beach Resort, I noticed graffiti on a wall which read: “New World Boredom”; With this in mind I started to photograph around Dubai.

The work has progressed and evolved on two subsequent visits to the UAE, with locations including, Dubai, Sharjah, Ras Al Khaimah and Oman. In RAK in July and October 2014 I realized that the notion of ‘boredom’ was redundant and didn’t apply to the recent photographs. What I was now capturing had become an exploration into the vastness of social landscapes, rapid urban development and the traces of humanity discovered in such places.

I’m looking forward to escaping the Cumbrian Winter as the project continues with a fourth visit to the Emirates in February 2015. I love the light and the process of shooting images in such heat and isolation is arduous, liberating and uplifting in equal measure. To me these photographs suggest that there is hope in the incredible emptiness of it all.

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